Fil:Hans Holbein the Younger - Queen Anne Boleyn RL 12189.jpg
Fuld opløsning (1.369 × 2.000 billedpunkter, filstørrelse: 745 KB, MIME-type: image/jpeg)
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Beskrivelse
BeskrivelseHans Holbein the Younger - Queen Anne Boleyn RL 12189.jpg |
English: Portrait of a Woman, inscribed in gold over red "Anna Bollein Queen". Black and coloured chalks on pink prepared paper, 28.1 × 19.2 cm. Royal Collection, Windsor.
The question whether or not this Holbein drawing is of Anne Boleyn has produced sharp division among scholars. It comes from a priceless collection discovered by Queen Caroline of Ansbach in a bureau at Kensington in 1727. The drawing is one of two by Holbein inscribed as of Anne Boleyn, the other being in the British Museum. The attribution of the present drawing as Anne Boleyn was made by John Cheke, tutor of the future Edward VI, in 1542. Cheke had entered the royal service after a period working at Cambridge University, and so he may never himself have seen Anne Boleyn, who had been executed in 1536; however, he knew people who had known her. For a long time, many scholars, including K. T. Parker and Anne Boleyn's biographer Eric Ives, have doubted that this portrait was of Anne: they point to the occasional mistake in Cheke's attributions, to the sketches of Wyatt heraldry on the back of the sheet, and to dissimilarities between this image and other possible likenesses of Anne, who was said to have had darker hair than depicted. It has also been argued that Holbein would not have drawn a woman of Anne's stature in an undercap. In Ives's view, "There is little to reinstate either Holbein drawing". Among those who argue the case for this portrait being correctly inscribed are Holbein scholar John Rowlands, historian David Starkey, and Holbein's biographer Derek Wilson. They argue for the reinstatement of this image as of Anne and express reluctance to dismiss Cheke's attribution. Rowlands challenges Ives's conclusions, which are partly based on dissimilarities with other possible images of Anne, on the grounds that it is a mistake to rely too much on the accuracy of these other images, particularly since none, except for a damaged portrait medal, are provably contemporary with Anne. Rowlands concludes that "the circumstantial grounds in favour of the Windsor drawing are really very compelling". As a result of these disagreements, the drawing has not been captioned consistently in reproductions, sometimes being called "Anne Boleyn" without reservation, and sometimes "Unknown Lady" or something similar. Some scholars prefer to label the drawing less decisively: Susan Foister, for example, the curator of the Tate's "Holbein in England" exhibition of 2006, writes: "Whether Holbein portrayed Anne remains an open question: a drawing at Windsor inscribed with her name shows a fair-haired woman whose appearance differs greatly from the painted portraits"; Tarnya Cooper, in the catalogue of the "Elizabeth" exhibition at the National Maritime Museum in 2003, captions the drawing: "Portrait of a Woman, probably Anne Boleyn, c. 1532–6". |
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Dato |
mellem 1533 og 1536 date QS:P,+1533-00-00T00:00:00Z/8,P1319,+1533-00-00T00:00:00Z/9,P1326,+1536-00-00T00:00:00Z/9 |
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Kilde | http://www.royalcollection.org.uk/collection/912189/queen-anne-boleyn-c-1500-1536-on-the-verso-a-coat-of-arms-of-the-wyatt-family-and | |||||||||||||||||||||||
Forfatter |
creator QS:P170,Q48319 |
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Licensering
Dette er en troværdig, fotografisk gengivelse af et originalt todimensionelt kunstværk. Kopier af kunstværket er offentlig ejendom af følgende grund:
Den officielle holdning, som Wikimedia Foundation følger er, at "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain". For yderligere oplysninger, se Commons:When to use the PD-Art tag.
Denne fotografiske gengivelse betragtes derfor også som værende offentlig ejendom Vær opmærksom på, at, afhængig af lokale love, kan brug af dette indhold forbydes eller begrænses i dit område. Se Commons:Reuse of PD-Art photographs. |
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Dato/tid | Miniaturebillede | Dimensioner | Bruger | Kommentar | |
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nuværende | 7. jun. 2020, 23:53 | 1.369 × 2.000 (745 KB) | Tm | Reverted to version as of 06:03, 28 January 2015 (UTC) | |
23. maj 2020, 13:45 | 1.369 × 2.000 (1,17 MB) | 0m9Ep | Brightness, color, contrast | ||
28. jan. 2015, 08:03 | 1.369 × 2.000 (745 KB) | Primaler | User created page with UploadWizard |
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Metadata
Denne fil indeholder ekstra information, som formentlig er tilføjet fra et digitalt kamera eller en skanner, der enten blev brugt til at skabe billede eller digitalisere det. Hvis filen har været ændret siden dens oprindelige tilblivelse, kan nogle detaljer muligvis ikke fuldt ud repræsentere det modificerede billede.
Kameraproducent | Epson |
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Kameramodel | Exp10000XL |
Bredde | 1.369 px |
Højde | 2.000 px |
Bits pr. farvekomponent |
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Kompressionstype | LZW |
Pixelsammensætning | RGB |
Kameraretning | Normal |
Antal komponenter | 3 |
Vandret opløsning | 1.200 dpi |
Lodret opløsning | 1.200 dpi |
Dataretning | Grovformat |
Software | Adobe Photoshop CS5 Windows |
Dato og tid for ændring af fil | 2. jul. 2012, 10:23 |
Farverum | Ukalibreret |
Dato og tid for digitalisering | 22. jun. 2012, 19:46 |
Dato for seneste redigering af metadata | 2. jul. 2012, 11:23 |
Unik ID for det oprindelige dokument | uuid:3E31E28046BCE1118BA8F0379A0FD36C |
Ophavsretsstatus | Status for ophavsret er ikke angivet |
IIM-version | 2 |